Soundfiles |
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1:17 |
White Noise; VCF out with LFO cutoff frequency modulation and varying settings of Q. |
2:19 |
Noise VCA (VCF LFO-modulated) followed by Delay1022 . |
2:08 |
Noise VCA (White Noise VCA Out) followed by Delay1022 (filtered with Noise VCA VCF) . |
1:52 |
Noise VCA with VCF ext. In: XR22VCO FT; VCA Out (White Noise) followed by Delay1022. |
Or listen on
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Documentation |
![]() Panel drawing |
![]() Side view right |
![]() Side view left |
![]() Banana Version |
Audio routing
Examples
Simple patches with other (CG Products‘) modules
Patch | Description | Audio |
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1. Noise VCA with P+H control In this standard patch the Peak&Hold’s ‚Release‘ output controls the VCA with a dynamic envelope shape, while the Peak&Hold’s ‚P+H‘ output is modulating the VCF’s cutoff frequency. |
PEAK+HOLD Input: Drum Machine 1:35 |
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2. Noise VCA with external Signal In this example the XR22 VCO FT’s squarewave output is applied to ‚ext VCF In‘; the Peak&Hold is modulating the Noise VCA’s VCF cutoff frequency and the VCA.
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PEAK+HOLD Input: Drum Machine 1:52 |
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3. VCF triggered by impulse signal Short impulse signals can be used to trigger the VCF, generating ‚ping‘ like sounds. Here the Peak&Hold’s impulse output is used to trigger the VCF; its ‚P+H‘ output is modulating the filter’s cutoff frequency. |
PEAK+HOLD Input: Drum Machine 1:15 |
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4. VCF and VCA working independently When using the VCA with white noise (or Sub F) as signal source, the VCF can be used completely independent to process another signal; or the VCA can generate dynamic accents to the 1st (VCF) audio output – by shifting the VCA’s offset level. Here the VCF’s audio input is the impulse-triggered Delay 1022. |
PEAK+HOLD Input: Drum Machine 1:24 |
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5. Sub F modulating CVs The ‚Sub F‘ output can be used to modulate the VCF cutoff frequency and/or the VCA – random sounds such as ‚thunder‘ or ‚crackling‘ can be generated. |
1:13 |